A slow burn, but a rewarding finish
4
By Alice_FL
This is a solid book, and will be a good fit for folks who like intricate mysteries. The ‘whodunnit’ aspect of things is really well crafted, and was a surprise to me even though I’ve read nearly all of Armstrong’s back catalogue by this point.
For those of us more invested in the character side of things, though, it takes a while to really find its footing. (So persevere if you like the story but find things to be slow character-wise in the first half of the book!)
Some of that is from *being* true to the characters and the time period - the protagonist, Mallory, is someone who deals with problems by putting her head down and getting on with things without a ton of introspection. And residents of Edinburgh in 1869 wouldn’t be likely to open up terribly quickly.
But that left me as a reader feeling a bit adrift until around the middle of the book, when things finally started to come together a bit more. I still feel like the book’s characterizations used distance too often, though. When we learn about people’s passions, it’s from 2 or 3 steps back, and is told to us, not shown. If Mallory is panicking, we hear about it only after she’s tamped it down.
Armstrong’s characters are one of her greatest strengths as an author, and this book still shows that. I can definitely bring these folks to mind and easily imagine what they’d do if X or Y were to happen.
But for all of the well-paced plot in the second half of the book, Armstrong doesn’t do enough to show how that action *affects* the characters emotionally. (The last chapter makes up for this a little bit. But while it makes me glad that this book seems to be the start of a series, it doesn’t address the lack of emotional resonance in this installment.)
It’s absolutely worth reading, though, and will be something I’m sure I’ll re-read in the future.