It is impossible to write of the three Brontës and forget the place they lived in, the black-grey, naked village, bristling like a rampart on the clean edge of the moor; the street, dark and steep as a gully, climbing the hill to the Parsonage at the top; the small oblong house, naked and grey, hemmed in on two sides by the graveyard, its five windows flush with the wall, staring at the graveyard where the tombstones, grey and naked, are set so close that the grass hardly grows between. The church itself is a burying ground; its walls are tombstones, and its floor roofs the forgotten and the unforgotten dead. A low wall and a few feet of barren garden divide the Parsonage from the graveyard, a few feet between the door of the house and the door in the wall where its dead were carried through. But a path leads beyond the graveyard to "a little and a lone green lane", Emily Brontë's lane that leads to the open moors.
